The media frequently portray young people excluded from wage work as inactive, aimless and alienated from mainstream society. This image feeds into fears of crime, violence and social unrest in which people who are jobless are cast as a “ticking time bomb” that poses a threat to a country’s stability, reports The Conversation.African countries are experiencing an unprecedented level of unemployment among young people. The unemployment numbers are expected to increase given the booming youth population in Africa. The problem is particularly acute in South Africa. World Bank statistics show that in 2019 the youth unemployment rate in South Africa stood at 58%, which is one of the highest in sub-Saharan Africa. For South Africa, the unemployment numbers are expected to increase. Over 60% of the unemployed at the start of 2020 were aged 15-34.A gender gap is also evident in the unemployment figures among people with advanced education. The unemployment rates of 2.3% in 2007 and 12% in 2019 for males with advanced education were lower than those of their female counterparts, which grew from 4.7% to 15%. This status risks long-term scarring effects for young people along with increases in informal working and social isolation
As of August 6, the confirmed Covid-19 case total from 55 African countries has reached 994,018. Of those, 298,472 are active cases with 8,527,691 tests having been performed.
Reported deaths in Africa have reached 21,641 and recoveries 673,903.
South Africa has the most reported cases – 529,877, with deaths numbering 9,298. The next most most-affected countries are Egypt (94,875), Nigeria (44,890), Ghana (39,075) and Algeria (33,055).
The numbers are compiled by the Center for Systems Science and Engineering (CSSE) at Johns Hopkins University (world map) using statistics from the World Health Organization and other international institutions as well national and regional public health departments. For the latest totals, see the AllAfrica clickable map with per-country numbers.
Visit the AllAfrica Coronavirus section for more coverage from across the continent. Also see: Africa Centres for Disease Control and Prevention, World Health Organization Africa and African Arguments.
Meet the Namibian actor who helped gross $60m for the 1980 film ‘The Gods Must be crazy
Meet the Namibian actor who helped gross $60m for the 1980 film ‘The Gods Must Be Crazy’ and was paid $300
Nigerian-American rapper Jidenna declares he is looking for a ‘wifey’
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Nǃxau Toma_Photo: Facebook
Born in Namibia and a member of the San also known as Bushmen, N!xau Toma, famously called the African bush farmer, was an actor who spoke fluent Jul’hoan, Otjiherero, Tswana as well as some Afrikaans which are dominant languages in the south of Africa.
He shot to worldwide prominence after an appearance as the lead role of the 1980 comedy film, The Gods Must Be Crazy. He became one of the most improbable and reluctant international celebrity after taking the role.
Image result for NÇxau ÇToma in The Gods must be crazy
N!xau Toma_Photo: Realtime News
In the movie, N!xau appearing as Xixo portrayed a gentle leader of a local tribal clan of Khoisan people. He was also a sober bushman with a comic smile who discovers a Coca-Cola bottle thrown out of an airplane. Upon discovering the bottle, he sees it as an alien object and it sets off into a comedy of errors.
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Image result for NÃÂxau ÃÂToma and kids
Scenes from The Gods Must Be Crazy_Photo: Egypt today
This comic role endeared him to viewers especially those in Asia who were convinced that he makes three eccentric movie sequels. The movie grossed $60 million dollars and according to Jamie Uys, the South African director who discovered the actor, N!xau, did not know the value of paper money and he let his first $300 wages blow away.
Despite his inability to attract heavy financial resource in the first movie, he had learned the value of money and demanded several hundred thousand dollars before agreeing to a recast in the film. He insisted that the money was needed to build a cinder-block house with electricity and a water pump for his family comprising of three wives and their children.
With patience and good humor, he toured the world and after 10 years of the glamour life, he stressed that he has seen enough of the “civilized” world, hence his decision to return to his home in the Kalahari.
Image result for NÇxau ÇToma in The Gods must be crazy
Scenes from The Gods Must Be Crazy_Photo: African Film Festival
N!xau uses the local dialect when filming, however, the interpretation and interlocking plots were explained by a narrator. He made it clear that he enjoyed the film and was excited to see himself on screen.
Mr. Uys was criticized for being cruel to N!xau and not taking him out of his environment but to his defence, he said he [N!xau] was born to act. ”All Bushmen are natural actors,” he said in a 1990 interview with The Associated Press. After the sequel, N!xau appeared in Hong Kong films and the Chinese film ”The Gods Must Be Funny.”
His inability to manage his income and have less value for material things was as a result of cultural practices.
Image result for NÇxau ÇToma in The Gods must be crazy
Scenes from The Gods Must Be Crazy_Photo:yasminroohi.com
When his film career ended, N!xau returned home to a newly built brick house. He tended his cattle and raised corn and pumpkins. He had a car for a while, but had to employ a driver because he had never learned to drive, The Namibian reported.
The entertaining actor N!xau Toma was found dead in late June 2003 near his home in Namibia after he reportedly went out to collect wood. He was believed to be 59 years old, and the exact cause of his death was unknown. He had suffered from tuberculosis in the past.
His name, N!xau is pronounced with the typical Bushman click used in southern Africa.
- Kenyan government official’s attempts to block a local art collective’s music video that had been uploaded to YouTube
- Social media’s complex symbiotic relationship with mainstream media is still evident in powerful ways.
- Somalia specialist Peter Chonka, for example, argues that the blurring of public and private boundaries inherent in the country’s social media environment can be disruptive. It has resulted in a lack of coherence in political communication by state actors
Not only have digital media and mobile phones created pathways for African entrepreneurs and consumers to access local and global networks with greater ease and speed, but the technological sector that supports digital media – from mobile phones to laptops and internet connections – has come to require a digital entrepreneurship that benefits from the creativity of African citizens.
Traditional and new media
Social media’s complex symbiotic relationship with mainstream media is still evident in powerful ways.
Somalia specialist Peter Chonka, for example, argues that the blurring of public and private boundaries inherent in the country’s social media environment can be disruptive. It has resulted in a lack of coherence in political communication by state actors. This further challenges their legitimacy. Tensions between traditional and modern forms of communication are reflected in the online clash of views over “appropriate” online content, moral values and perceived threats to national security.
Media scholar Brian Ekdale highlights the debates around “morality” in social media content. He researched a Kenyan government official’s attempts to block a local art collective’s music video that had been uploaded to YouTube. Ekdale then considers what this shows about the ongoing tensions between global media technology giants and local users and regulators on the continent
What is especially interesting is the way in which African users have found ways to adapt and appropriate digital and mobile media, for example, developing codes to communicate via mobile phone without using airtime – so-called ‘flashing’ or ‘beeping’ (calling and hanging up before the receiver can answer so as to avoid incurring a call cost).
While this creativity can be celebrated as an ingenious way for African users to adapt digital and mobile media to their own circumstances, it also points to the often exorbitant costs of airtime and data which are obstacles to the use of new media technologies in African countries. Airtime comes at such a high cost in South Africa, for example, that it is often offered as a prize in consumer competitions, or airtime vouchers are given as gifts or freebies.
The advent of digital media has turned the media landscape upside down. The news cycle moves at lightning speed, thanks to live tweeting, blogging and citizen journalism, all unknown just a few years ago.
To remain accessible, conventional media practitioners in Africa are adapting to a new media world that is time-sensitive and more interactive. Advocacy journalism, in particular, is growing exponentially—bloggers and citizen journalists are mobilizing for various causes, including good governance.
Although a lot has changed in media technology and operations over the last 15 years, society still looks to the media to play its traditional role—to inform, educate and entertain.
In Africa the media plays an even more critical role, that of deepening and institutionalizing democracy.
Citizens need to be informed as nations take on new responsibilities in a globalized world.
“Media plays an important role in buildding an informed society. Said shakir essa somali digital media and journalist news publisher at allafrica
Citizens need credible information from a media that can skillfully moderate debate and provoke meaningful conversations that can lead to transforming africa
the media must see itself as instrumental to ensuring and improving the quality of life in society.<p class="has-drop-cap" value="<amp-fit-text layout="fixed-height" min-font-size="6" max-font-size="72" height="80">“Journalists see themselves as watchhdogs. Instead, I see the media as a leader. Watchdogs just sit down and watch, but a leader stands up and leads. You have to walk and work,” Mr. Chinje said in an interview with <em>Africa Renewal.</em> “Journalists see themselves as watchhdogs. Instead, I see the media as a leader. Watchdogs just sit down and watch, but a leader stands up and leads. You have to walk and work,” Mr. Chinje said in an interview with Africa Renewal.
Africa needs journalism that innovates and supports innovation in a modernizing continent, he says, one that not only grows, but promotes growth and the development of society. It needs journalism that not only generates the ideas that are the engine of social transformation, but also moderates the debates that emerge from these societal changes.
Digital media and journalism as a sector is evolving, and there are plenty of job opportunities in the field. However, Aspiring journalists have to build their experience and gather certain skill sets to thrive in the industry, said: shakir essa ( shakir is a somali digital media and journalist news publisher at allafrica
If you’re interested in starting (or growing) a career as a media in east africa, then you have a lot to learn from shakir essa
Shakir started his career in journalism as an intern at the allAfrica news website and quickly scaled through his career as a journalist, amplifying African voices and stories.
Shakir Essa on, July 6th,2016 for a 30-minute Facebook Live session where he’ll be discussing journalism ans digital media as a profitable career choice, and the skills aspiring journalists need to acquire.
Some of the topics we’ll cover:
How to make it as a digital and journalist
Media career choices for young people in East Africa specialy somalia
Moving from employment to entrepreneurship
Personal PR: Social media etiquette and how it impacts your professionalism
Why young Africans should demand quality content from media outlets (African advocates of public interest journalism)
Facebook Live Details: shakir essa
About shakir essa
Shakir essa is digital media publisher and PR consultant who is currently consulting at Media allAfrica news, as a radio producer, media relations trainer and digital journalism trainer. He also works as a volunteer youth mentor and freelance journalist.
Latest years shakir had a successful career at one of the africa leading international news sites and radio, the ALLAFRICA.
While working for AllAfrica, he works as trucking industries on Amazon prime in USA
Also he led several productions including creating digital content for younger audiences and news coverage of somali politics
In June 2016, he took one of the lead roles in setting up somalia and the breakaway region somaliland
For live broadcasting on social media His work helped direct the day to day running of the live broadcasting and training journalists on storytelling and social media skills.
Shakir Essa served as editor at allafrica news media and somali news tvs
The Shakir Essa Report, first aired January 2012, is a thirty-minutes, weekly report at allafrica on storytelling for African immigrant stories in northern Africa, Libya and Tunisia.
Shakir essa served as editor at allafrica news site’s,
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